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Showing posts from July, 2005

THE FIVE PILLARS (OR ORDERS) OF ARCHITECTURE

As the three steps pertain to the symbolism of the three pillars of the Lodge, the five steps represent the five orders of architecture- the Tuscan, the Doric, the Ionic, the Corinthian and the Composite. But save for the architects who are expected to know these architectural orders, one may ask: “what do those words represent?” We are told that “the Doric, Ionic and Corinthian were invented by the Greeks, and that from there, the Romans added two- the Tuscan, which they made plainer than the Doric, and the Composite which was more ornamental and more beautiful than the Corinthian.” Of course the monitor also said that “the Tuscan is the Doric in its earliest state, and that the Composite is the Corinthian enriched with the Ionic”. Beyond these impressive statements, however, nothing else has been said to describe these orders, and so here is a briefing designed for the non-architects and the uninitiated. THE ORDERS OF ARCHITECTURE AS TRACED TO THE PAGES OF MERRIAM WEBSTER DICTIONARY

THE THREE PILLARS OF THE LODGE

In the second degree lecture, the first group of steps in the winding stairs lecture represent “Wisdom, Strength and Beauty” and are exemplified by the three elected officers of the lodge, namely, the Worshipful Master and the Senior and Junior Wardens. That will now be the subject of this article. As backgrounder, these three pillars were first mentioned not in the second degree lecture but in the conferral of the first degree. Portion of the first-degree lecture aptly reads: “A lodge is metaphorically said to be supported by three great pillars, denominated by Wisdom, Strength and Beauty, it being necessary that there should be Wisdom to contrive, Strength to support, and Beauty to adorn all great and important undertakings. These pillars are represented in the Lodge by the Worshipful Master, and the Senior and Junior Wardens.” From the foregoing paragraph, it is evident that this symbolic phrase can be interpreted two ways: 1. On the operative standpoint, and 2. On symbol